Fiction Criticizing Reality: Abbas Kiarostami and the Cracked Windshield of Cinema

the crisis of identity in jhumpa lahiris fiction: interpreter of maladies and the namesake

شکل گیری هویت(identity) مقوله مهمی در ادبیات پراکنده مردم(diasporan literature) می باشد. آثار جومپا لاهیری(jhumpa lahiri) ، نویسنده هندی آمریکایی، در سالهای اخیر تحسین منتقدین را به خود معطوف کرده است. وی در این آثار زندگی مهاجران و تلاش آنان برای پیدا کردن جایگاهشان در یک فرهنگ بیگانه را به تصویر کشیده است. این تجربه همواره با احساساتی نظیر دلتنگی برای گذشته، بیگانگی و دوری همراه است. با این ح...

Psychopathy and the cinema: fact or fiction?

The authors investigated the relationship between cinema and psychopathy to describe and analyze the portrayal of fictional psychopathic characters in popular films and over cinematic history. From 400 films (1915-2010), 126 fictional psychopathic characters (21 female and 105 male) were selected based on the realism and clinical accuracy of their profiles. Movies were then analyzed by senior f...

Abbas Kiarostami, Family Film and the Techno-cultural Processes of Transcultural Viewing

In this paper Abbas Kiarostami's films for children are discussed from the perspective of a cognitive studies approach. The crux of the argument is that the visual elements of film are essentially metonymic. Where is My Friend’s Home? has a quest-script instantiated by means of four components drawn on Brown and Babbington. Transcultural viewing is enabled by techno-cu...

The organism – reality or fiction?

The Reality of Arabic Fiction Translation into English: A Sociological Approach

English translations of texts associated with Arabic fiction remain largely unexplored from a sociological perspective. Drawing on Pierre Bourdieu’s sociology, this paper aims to examine the genesis of Arabic fiction translation into English as a socially situated activity. Works of Arabic fiction emerged in English translation in the early twentieth century. Since then, this intellectual field...